Thursday, October 30, 2014

Tinker Creek




I know our blog on the Annie Dillard piece is for the first six chapters, but I listened to the audio book at the beginning of the semester and at this point I can’t remember what was what or when was when.


If I remember correctly, it doesn’t matter.  I don’t remember the book actually having a plot, just bunches of observations poetically shared.

As the book started, I took a deep breath and relaxed.  The prose was beautifully descriptive.  I loved, loved, loved it!!!  As I listened, I could actually see the woods Annie was tromping through, heard the chirping birds, and inhaled the fragrant scents of the forest.  Perhaps that’s a bit dangerous to be so distracted as I drive up and down the canyon, but all ended well.


Listening to a book is SUCH a different experience than reading a book.  There’s no skimming the paragraphs or skipping pages.  Every word floats past your ears and into your brain.  The person reading the book makes or breaks the book.  There’s been books I don’t think I would have enjoyed reading, but the reader was a performer who brought the characters to life to such an extent that I fell in love with them.  


One of my friends prefers reading books so his imagination is not impaired.  Audio books are the best of both worlds.  I use my imagination for the visuals but the essence of the character is enhanced by the actor reading the book.  I just finished Middlesex today.  I absolutely wouldn’t have read the book, but the actor brought such life to the characters, affecting the accents perfectly, that I ended up loving the book.  


The first time I listened to a scary book was intense.  I couldn’t just flip the pages quickly to get past the gruesome parts.  Every syllable I had to listen to.  I pick those books carefully.  Stephen King’s Duma Key is incredibly performed.  I can still hear that man’s voice in my head sometimes.  That was three years ago.  


Listening to books has another perk.  Sometimes a phrase is uttered and my jaw drops.  The combination of words is PERFECT!  My entire being becomes engaged in the phrase.  Dean Koontz’s Innocence is that way.  I would listen to some of the sections over and over in utter appreciation of the brilliance.

Well, I haven’t written much about Pilgrim at Tinker Creek.  There’s a reason for that.  If I write what I remember in this blog, I won’t have anything to say for the next one.  So, please forgive my digression. I’ll share what I ultimately thought next time.

2 comments:

  1. I overheard you talking in class about listening to this book on tape. I wonder if I would have enjoyed it more that way. I wrote my post mostly on how this book irritates me. How, so far, it seems to have no point. The language and style really turned me off. But, I did think as I read some passages, that this could be slam poetry. Read out loud and emphasized in certain areas. There were beautiful moments in the book. I just think she though that she could have 700 beautiful moments when really, she has about five.

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  2. After reading the first part of Dillard’s book, I think I would have also really enjoyed listening to it on CD over reading it. I did enjoy how descriptive her style was, but I think I would have enjoyed it more if I was listening. Like you said, when you listen to a book you are not allowed to skim or skip - you listen to every word the reader says, and I think this would have helped me imagine the things she was talking about better. As much as I try not to, sometimes I have a habit of skimming sections of books that don’t keep me captivated and I usually have to reread those parts. I have never been a huge fan of listening to books - I would rather read them. This is probably because my mom is a huge fan of them and growing up I listened to them a lot, and they usually made me fall asleep. However, I wanted to hear Dilllard’s book read because I thought it would enhance it for me. I did get a little annoyed while reading this book because some parts felt (to me) that she was trying too hard to add every part of nature in the space of one book. Like you said, the book doesn’t really have a plot, just observations - sometimes Dillard would jump to four different subjects in the space of four paragraphs.

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